In all honesty, my first go with gouache was not a pretty one. I was treating the gouache a little too much like oil paints, slathering it on in hopes that I could achieve the painterly quality I had seen in artworks such as those by the skillful Harry Anderson. Bad Idea. That painting will never more see the light of day. However, I was not ready to give up. I started over with a new painting and different reference photo.
I begin transparently and using only one color. This allows for a very quick under-painting. This stage was exactly the same as my previous gouache attempt, but here I took the time to tape my paper to a clip board so that I could paint on a near-vertical surface rather than the almost horizontal surface of my last painting, which caused a lot of distortion and consequently, frustration. I also developed the under-painting farther than the last painting.
Hey look! A face! There's not much process visible here, but what I did was first use a larger brush to blend semi-transparent layers of paint before moving on to a smaller brush and thicker paint (less water). If a section was thick with layers and I wanted to add more detail, I used a cross-hatching method instead of risking lifting up all of the paint off the paper. Each additional layer of paint = less wate.
The ears have been added. I was more successful with these than with some parts of the face as I was able to achieve a seamless blend.
Ch-ch-ch-chia! He has hair now. I used the paint more transparently for the hair, especially the edges, which I softened to add spatial depth. So far, I have only been working on the painting for two days. Gouache is a beautiful thing. With it, you can achieve so many effects in a timely manner.
And now more of my "visual idea" project. This metaphor is "A blanket of snow fell through the night".
"Fear is a beast that feeds on attention."
"Breaking news."
"Bursting with flavor."
"His mind was caged by depression."
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